Rallis Theodoros (1852 - 1909)
Vigil of the Dead Pasha of Tangiers, 1884
From a well-known family of Chios, he worked for a brief period in the commercial house of Rallis-Mavroyannis in London, but abandoned his entrepreneurial career and settled permanently in Paris. There he studied painting under the academic teacher and Orientalist painter Jean-Leon Gerome until approximately 1880. In 1873 he took part in the Salon des Refuses. From 1875 to the end of his life he participated without fail in the official French Salons, the World Exhibitions of Paris (1878, 1889 – silver medal, 1900 – outside competition, member of the critical committee of the Greek division) as well as many other exhibitions both inside and outside France. In Greece he won the silver medal at the Olympia Exhibition of 1888 and at the International Exhibition of Athens in 1903. In 1885, the year he won honorable mention at the Salon and the Cross of the Savior in Greece, he acquired French nationality. He repeatedly visited Greece as well as many Middle Eastern countries, drawing from them the subjects for his paintings. He also had a studio in Cairo where he spent the winter months from the end of the 1880s till 1904, developing noteworthy artistic activity, which included the organizing of yearly artistic exhibitions. In 1900 he was awarded the decoration of the Knight of the Legion of Honor. In 1910 the National Gallery received the Rallis Bequest, while a year later the Theodoros Rallis Prize was given for the first time in Paris and in 1912 the first Rallis Competition was held in Greece.
His works, mainly Greek genre scenes and “oriental” subjects, are incorporated in the framework of the European Orientalism of the second half of the 19th century and are rendered in agreement with the precepts of Academic realism, while there are also a few brief attempts at using the insights of the more innovative trends.
Vigil of the Dead Pasha of Tangiers, 1884
The Booty, before 1906
Woman with Tambourine, before 1905
Woman at Fountain, ca 1908-1909
Boat on the River Thames
The Supplication, ca. 1905-1909
“On voyait deja se masser autour de Smyrne des hordes d’hommes armes […]”., before 1892
“Combien de fois, assis sur ces bancs, j’ai lu les inscriptions gravees sur les dalles funeraires qui en pavaient l’entree!”, before 1892
“Je tournai a la maison plein de trouble et d’anxiete […]”., before 1892
“Le 9 mars (1822), dans l’apres-midi, une quarantaine de navires apparurent en mer”., before 1892
“Je m’assis sur mon lit, l’oreille tendue, et les yeux ouverts dans les tenebres”., before 1892
“Une vielle femme, sur la porte d’une modeste maison, eut pitie de nous”., before 1892
“Je baissais la tete devant la majeste de l’aga […]”., before 1892
“Mon pere emporta le sac et me fit prendre l’autre […]”., before 1892
“Il haussa les epaules, en souriant, lorsque je lui repondis que ma resolution etait inebranlable […]”., before 1892
“Nous nous mimes tous les deux a creuser une fosse profonde […]”., before 1892
“Je vis l’ane de Pandeli qui attendait tranquillement. […] Je jetais les bras autour du cou de la bete et je l’embrassai!”., before 1892
“Je me tins immobile contre le mur […]”., before 1892
“Les demogerontes me promirent de demander pour moi a l’aga la permission de parcourir les villages comme marchand […].”, before 1892
“Le matin, a mon reveil, je me dirigeait vers la maison de Mavrogeny, en pensant a ce que je lui dirais, a la facon dont je me presenterais […]”., before 1892
“La main tombait frequemment sur le poignard et le poignard sortait facilement du fourreau”., before 1892
“Nous ensevelimes notre cher mort dans une humble tombe sans nom […]”., before 1892
“L’assistance ne vit pas sans etonnement le pretre monter en chaire […] pour lire une lettre d’excommunication”., before 1892
“Je vis, debout sur le seuil d’une porte ouverte, un homme, habille en partie a l’europeenne, qui fumait […]”., before 1892
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